Feminae: Medieval Women and Gender Index


11 Record(s) Found in our database

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1. Record Number: 2934
Author(s): Gertz, Sun Hee Kim.
Contributor(s):
Title : Echoes and Reflections of Enigmatic Beauty in Ovid and Marie de France
Source: Speculum , 73., 2 (April 1998):  Pages 372 - 396.
Year of Publication: 1998.

2. Record Number: 1788
Author(s): Terkla, Daniel.
Contributor(s):
Title : Buckles, Knots, Marble Walls, and Visions of Ovid Dancing Round the Bed [International Congress on Medieval Studies. Kalamazoo, May 1996].
Source: Le Cygne: Bulletin of the International Marie de France Society: Abstracts, Notes, and Queries , 2., (April 1996):  Pages 27 - 28.
Year of Publication: 1996.

3. Record Number: 1789
Author(s):
Contributor(s):
Title : Symbolic Space in Romance and Fabliau: "Guigemar," "Le Chevalier a l'espee," and "Aloul" [International Congress on Medieval Studies. Kalamazoo, May 1996].
Source: Le Cygne: Bulletin of the International Marie de France Society: Abstracts, Notes, and Queries , 2., (April 1996):  Pages 28 - 29.
Year of Publication: 1996.

4. Record Number: 1769
Author(s): Brumlik, Joan.
Contributor(s):
Title : The Lyric "Malmariée" : Marie's Subtext in "Guigemar" ["chansons de malmariée," "chansons de toile," and pastourelles, in which unhappily married women long for lovers, serve as models for the heroine in "Guigemar"].
Source: Romance Quarterly , 43., 2 (Spring 1996):  Pages 67 - 80.
Year of Publication: 1996.

5. Record Number: 3496
Author(s): Whalen, Logan E.
Contributor(s):
Title : A Medieval Book-Burning: Objet d'art as Narrative Device in the Lai of Guigemar
Source: Neophilologus , 80., 2 (April 1996):  Pages 205 - 211.
Year of Publication: 1996.

6. Record Number: 1672
Author(s): Alama, Pauline J.
Contributor(s):
Title : Female Homosocial Bonding in the "Lais" of Marie de France [International Congress on Medieval Studies. Kalamazoo, May 1996].
Source: Le Cygne: Bulletin of the International Marie de France Society: Abstracts, Notes, and Queries , 2., (April 1996):  Pages 14 - 15.
Year of Publication: 1996.

7. Record Number: 5135
Author(s):
Contributor(s):
Title : The Power of Feminine Anger in Marie de France's "Yonec" and "Guigemar" [The author deals with anger only briefly, considering instead Marie's approval of adultery for the malmariées, those women married to cruel husbands].
Source: Florilegium , 14., ( 1995- 1996):  Pages 123 - 135.
Year of Publication: 1995- 1996.

8. Record Number: 244
Author(s): Van Vleck, Amelia E.
Contributor(s):
Title : Textiles as Testimony in Marie de France and "Philomena"
Source: Medievalia et Humanistica New Series , 22., ( 1995):  Pages 31 - 60. Diversity
Year of Publication: 1995.

9. Record Number: 1765
Author(s): Semple, Benjamin.
Contributor(s):
Title : The Male Psyche and the Female Sacred Body in Marie de France and Christine de Pizan
Source: Yale French Studies (Full Text via JSTOR) 86 (1994): 164-186 Corps Mystique, Corps Sacré: Textual Transfigurations of the Body from the Middle Ages to the Seventeenth Century.Link Info
Year of Publication: 1994.

10. Record Number: 10804
Author(s): Stein, Robert M.
Contributor(s):
Title : Desire, Social Reproduction, and Marie's "Guigemar" [The article suggests that, through the network of symbols in “Guigemar,” Marie reveals her own contradictory situation as a woman author in a masculine, knightly world. Title note supplied by Feminae.].
Source: In Quest of Marie de France: A Twelfth-Century Poet.   Edited by Chantal A. Marechal .   Edwin Mellen Press, 1992.  Pages 280 - 294.
Year of Publication: 1992.

11. Record Number: 10885
Author(s): Steinle, Eric M.
Contributor(s):
Title : The Knot, the Belt, and the Making of "Guigemar" [Marie de France uses imagery in her lais in order to summarize the structural and thematic concerns of her poems. In “Guigemar,” the knot and the belt (which the lovers exchange as love tokens) and thematic references to forms of enclosure symbolize the thematic unity and circular narrative of the poem; the knot and the belt are also metaphors that refer to Marie’s own role as “maker” or author of intricate narratives. Title note supplied by Feminae.].
Source: Assays: Critical Approaches to Medieval and Renaissance Texts , 6., ( 1991):  Pages 29 - 53.
Year of Publication: 1991.